There aren’t many remnants of the Etruscan culture. Most of the few findings were discovered in burial sites. It was precisely an Etruscan tomb where we found one of the most determining facts leading to the idea of the Society of Esteem.
Archaeologists discovered a fresco, painted on the tomb wall, with an extended illustration of an Etruscan banquet.
On the right side of the fresco there’s a long, festively decorated table. Etruscan men and women are sitting around the table, drinking from opulant cups and eating a lavish meal. Behind the table stands a flute playing musician. On the other side, two figures arrive at the table bringing food on decorative plates.
On the left side of the fresco is a kitchen scene with citizens preparing food in large pots. One person is walking from the kitchen toward the table carrying another plate with food.
We list the details of the fresco because it’s important to get a picture of the scene. The traditional interpretation by archaeologists was that the mural showed a rich major-domo at dinner with his family. The servants were thought to be his slaves – cooking, serving and entertaining him with music.
But when you look more closely at the details, a different picture emerges. All of the participants, whether they’re serving or being served, are wearing the same clothing of wealth and good taste. Each one, the diners, the servants, the musician and the cookers are all dressed in finely decorated clothing.
Another conspicuous detail is the fact that there are also women seated among the dinner guests – unusual for those times.
The new interpretation according to the Society of Esteem is: